March 24, at
Some readers, however, having heard that the Work was placed on the Index of Forbidden Books, have inquired of Valtorta's editor and publisher, Emilio Pisani, about the truth of this assertion.
The following excerpt translated from an article in the publisher's Bollettino Valtortiano [Valtorta Bulletin] No. The editor returns to this subject in a much later edition of the Bollettino [No.
Of recent concern to some Valtorta readers, is a letter of Cardinal Ratzinger dated January 31,to the Archbishop of Genoa, Cardinal Siri, in response to an inquiry from a priest of that diocese about the Church's position toward Valtorta's Work.
Cardinal Ratzinger affirms that Valtorta's Poem of the Man-God was originally placed on the Index of Forbidden Booksand though the Index was abolished, that censure retains its moral value "for the more unprepared faithful".
It must be emphasized, however, that it was only the 1st Edition, published inwhich was placed on the Index, probably because it was published as an anonymous work, without revealing Valtorta as its author.
It also lacked theological annotations to clarify passages that might lend themselves to misinterpretation.
The 2nd current Edition of Valtorta's Poem On all this see also especially Fr. There is however a more recent clarification on Valtorta's Poem, from Cardinal Ratzinger, in a letter of April 17,directed to Bishop Boland of Birmingham, Alabama, together with an analysis provided by Prof.
Leo Brodeur, of the Valtora Research Center. For this clarification, see Appendix II below. With regard to the publisher's statement that Valtorta's Work has never had an official "Imprimatur", it must be noted that this requirement was abrogated inby a Decree of the Congregation for the Propagation of the Faith.
January-June "Imprimatur", a Latin word which means "let it be printed", is the formula of approval which the competent Ecclesiastical authority has affixed to books on religious subjects which, in its judgment, can be published without harm to the truth of the faith and to the integrity of its customs.
The Work, The Poem of the Man-God, is clothed with an essentially religious character, being a paraphrase of the Gospel. It is not detached from the truth of the faith, since that possibility is excluded by the opinions expressed for more than 30 years by authoritative and consecrated persons -- Christians, surely, who live the mind of the Church.
And from the fruits of spiritual conversion which are constantly stirred up in its readers in every part of the world, it clearly does not harm the integrity of customs.
Nevertheless, it has never had, and does not have, the Imprimatur.
We editors have neither the authority nor competence to give a completely clarifying answer to this question. We can, however, report on the ambiance and the facts which of themselves have informed the birth and diffusion of the Work, so that the reader may know these and pay attention to interpreting the signs which accompany so singular a Work.
Migliorini, who was a holy priest in the memory of his confreres and of all who knew him, did not limit himself to assisting Valtorta spiritually, but also took care of typing out the transcription of her handwritten notebooks.
While dedicating himself to this labor, he let himself be seized by a growing enthusiasm for these writings, to the point of making a rash distribution of them in little typewritten pamphlets which, in the colorful language of Fr.
Migliorini as Valtorta's Director. Migliorini had displayed the nature of these pages as "divine revelation" which, detached from the context of the Work, could have been provocative in their originality, above all for those times.
In addition, the good Father began to occupy himself with at least two other women who, holding themselves to be clothed with a mission from on High, undertook some rather controversial initiatives.
The most evident result was the removal of Fr. Migliorini who, inhad to be transferred by an injunction of his Superiors from Viareggio to Rome. But it is probable that joined to that measure was a prohibition against continuing to diffuse the typescripts.
Migliorini knew Father Corrado Berti, O. He confided to Fr. Berti about the existence of Maria Valtorta and, together with the latter, set himself the task of devising how to make the publication of Valtorta's writings possible and licit.
Although the harmony of his relations with Valtorta was becoming always more shaky through an emerging incomprehension which, in their letters, reached polemical tones. Subsequently, the two finally stopped writing each other.
A Papal "Imprimatur" InFrs. After becoming personally acquainted with it, the Pope accorded an audience to the two Religious and their Prior, Fr. Cecchin, in February The opinion of Pius XII was favorable.
He advised publishing the Work without cutting out anything, not even the explicit assertions reporting "visions" and "dictations". But at the same time he did not approve the text of a Preface which spoke of a supernatural phenomenon since, according to the Pope's advice, any interpretation should be left to the reader: Here they found a good attitude toward accepting the Work of Valtorta.
Previously, however, the Work had been submitted to the Holy Office, where it ended by being severely and inexplicably blocked in It was suggested to Fr.
Berti -- who would have to put his own signature to the sentence of the Holy Office without having the possibility of speaking -- that he should deliver [to them] the handwritten originals and all existing copies.It is commonly known that we had the healthiest diet during the war years and as lard/dripping was also rationed to a far lower amount than is commonly used today during cooking I reckon GP’s would encourage most people to adopt a regular diet like this.
A critical commentary is a detailed, technical explication of a text, usually examining its integrity and its textual and philological issues, with a discussion of its context and an analysis of its content.
Rather than simply list or describe a text, a critical commentary explains and defends the. In critical analysis, one looks both analytically and critically at a short story, a novel, or a poem and makes an argument about what the meaning of the story or poem is. What follows is a discussion of what the words "critical" and "analysis" mean.
– A P P E N D I X I – [As stated in the Introductory Note, a recent concern to some readers of Valtorta's Poem of the Man God, is a letter dated January 31, , from Cardinal Ratzinger of the Congregation for the Doctrine of the Faith, to Cardinal Siri, Archbishop of Genoa, in response to an inquiry from a priest of that diocese on the Church's position relative to Valtorta's Work.
HOW TO WRITE A LITERARY ANALYSIS ESSAY your writing skills, you will also improve your perceptions and increase your critical abilities. Writing Good literary analysis essays contain an explanation of your ideas and evidence from the text (short story, poem, play) that supports those ideas.
Best write my essay service that guarantees timely delivery. Order online academic paper help for students. Professionally researched & quality custom written .