Her standing is based on six books: Writing at the intersection of the Enlightenment and Romanticism, her fiction captures much of its complexity. Basic to her innovation is a feminized treatment of history.
Table of Contents Overall Analysis and Themes The dichotomy between "sense" and "sensibility" is one of the lenses through which this novel is most commonly analyzed. The distinction is most clearly symbolized by the psychological contrast between the novel's two chief characters, Elinor and Marianne Dashwood.
According to this understanding, Elinor, the older sister, represents qualities of "sense": In contrast, Marianne, her younger sister, represents qualities of "sensibility": Whereas Elinor conceals her regard for Edward Ferrars, Marianne openly and unashamedly proclaims her passion for John Willoughby.
Their different attitudes toward the men they love, and how to express that love, reflect their opposite temperaments. This dichotomy between "sense" and "sensibility" has cultural and historical resonances as well.
Austen wrote this novel around the turn of the eighteenth century, on the cusp between two cultural movements: Elinor represents the characteristics associated with eighteenth-century neo-classicism, including rationality, insight, judgment, moderation, and balance.
She never loses sight of propriety, economic practicalities, and perspective, as when she reminds Marianne that their mother would not be able to afford a pet horse or that it is indecorous for her to go alone with Willoughby to Allenham.
It was during the Classical period and its accompanying cultural Enlightenment that the novel first developed as a literary genre: In contrast, Marianne represents the qualities associated with the emerging "cult of sensibility," embracing romance, imagination, idealism, excess, and a dedication to the beauty of nature: Marianne weeps dramatically when her family must depart from "dear, dear Norland" and willingly offers a lock of her hair to her lover.
Austen's characterization of Marianne reminds us that she was the contemporary of Wordsworth, Coleridge, and Walter Scott, the luminaries of the English Romantic literary scene.
Austen's depiction of Elinor and Marianne thus reflects the changing literary landscape that served as a backdrop for her life as a writer. However, this novel cannot simply be understood as a straightforward study in contrast. Elinor, though representing sense, does not lack passion, and Marianne, though representing sensibility, is not always foolish and headstrong.
Austen's antitheses do not represent epigrammatic conclusions but a starting- point for dialogue. Although Austen is famous for satirizing the "cult of sensibility," in this novel she seems to argue not for the dismissal of sensibility but for the creation of a balance between reason and passion.
Fanny Dashwood's violent outbreak of feeling towards the end of the novel reveals that too little feeling is as dangerous as too much. Both Elinor and Marianne achieve happiness at the end of the novel, but they do so only by learning from one another: The novel's success is not a result of the triumph of sense over sensibility or of their division; rather, we remember Sense and Sensibility as a conjunction of terms that serve together as the compound subject of Austen's novel.Her standing is based on six books: Sense and Sensibility (), Pride and Prejudice () Mansfield Park (), Emma (), Northanger Abbey (), and Persuasion ().
Writing at the intersection of the Enlightenment and Romanticism, her fiction captures much of its complexity.
The Enlightenment vs.
the Romantic Era: Sense and Sensibility Essay - The Age of Enlightenment opened the doors to independent thinking and development in areas such as math, astronomy, politics, philosophy and many more.
Oct 24, · Honors, Per 5 Quarter One Sense and Sensibility The first of Jane Austen's published novels, Sense and Sensibility, portrays the life and loves .
Williams, Helen Maria. From Enlightenment Revolution. Jump to Williams returned to London at the age of 18, accompanied by the Rational Dissenter Dr. Andrew Kippis, editor of Julia exists today as one of the earliest depictions of a woman divided by the notions of sense and sensibility, doing so in a style lauded by The Critical Review.
Manfred, by George Byron; Sense and Sensibility, by Jane Austen; and Castle Rackrent, by Maria Edgeworth - Historically, the Romantic era has come to symbolise an age of change and desire in the social and political sense.
A summary of Overall Analysis and Themes in Jane Austen's Sense and Sensibility.
Austen originally published Sense and Sensibility under the pseudonym “A Lady.” It was only published under her name after her death. Elinor and Marianne. Austen originally wrote Sense and Sensibility as an epistolary novel, i.e. a . Oct 24, · Honors, Per 5 Quarter One Sense and Sensibility The first of Jane Austen's published novels, Sense and Sensibility, portrays the life and loves . Sense and Sensibility was published in but was originally written around under the title of ‘Elinor and Marianne’ and had been written firstly in an epistolary form, which usually is a novel collated with letters.
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